Gracie Brazilian Jiu jitsu history muay thailand Bangkok Phuket

Jiu-Jitsu, unlike other martial arts, did not evolve from one source or root; instead it has multiple roots and traveled through many Asian countries before its final development in Japan. The development of Jiu-Jitsu techniques started around 5000 years ago. A Babylonian copper stand (see picture), dating from the third Millennium B.C., shows two men engaged in a grappling technique found in Jiu-Jitsu. Both men are trying to unbalance each other by controlling the hip.

Buddhist Monks in northern India greatly contributed to the early development of Jiu-Jitsu. Bandits constantly assaulted the monks during their long journeys through the interior of India. Buddhist religious and moral values did not encourage the use of weapons so they were forced to develop an empty hand system of self-defense.

These Monks were men of great wisdom who possessed a perfect knowledge of the human body. Consequently, they applied laws of physics such as leverage, momentum, balance, center of gravity, friction, weight transmission and manipulation of the human anatomy’s vital points in order to create a scientific art of self-defense.
THE ART OF THE SAMURAI

In 230 BC the techniques of Jiu-Jitsu arrived in Japan where the wrestling sport called chikara kurabe was developed. The techniques of this art later served as the base of contemporary Jiu-Jitsu.

From 230 BC onward, many different schools of Jiu-Jitsu were formed. Empty hand Jiu-Jitsu techniques were incorporated as part of the samurai warrior's training during the Heian period (ca. 784 AD). In approximately 880 AD, Prince Teijun established the Diato-Ryu Aiki Jujitsu school.

The period of Japanese history between the 8th and 16th centuries was covered with constant civil war and many systems of Jiu-Jitsu were utilized, practiced and perfected on the battlefield. This training was used to conquer armored and armed opponents.

Many close fighting techniques were created and mastered during this era. In 1532 Hisamori Tenenuchi officially established the first school of Jiu-Jitsu in Japan.

In 1559, a Chinese monk named Chin Gen Pinh came to Japan, accompanied with his knowledge and experience of Kempo, known as the “China Hand.” Shortly after Chin Gen Pinh arrived in Japan, Hideyoshi Toyotomi also migrated to Japan from China, bringing with him Ch-an Fa and Korean Tang Su, a punching and nerve striking skill and method of fighting. These skills were perfected and integrated into Jiu-Jitsu.

In approximately 1603, Japan came to a fairly peaceful period following the formation of the Tokugawa military government by Tokugawa Ieyasu. During this time (1603-1868), the feudal civil wars that had plagued Japan for centuries started to disappear. However, following the adage "living in peace, but remembering war," the practice of jujitsu continued to spread. Forms and techniques displaying weapons skills of fighting began to yield to weaponless styles which incorporated many of the grappling ground fighting techniques of the older styles.

The traditions of classical budo (martial arts) required that a everyone should learn a method of self-defense for those situations where weapons could not be used. Universally, these techniques were known as Jujutsu.

It has been estimated that there were about 725 recorded systems of jujutsu in vogue during its golden age from 1680 to 1850.

The Meiji Restoration of the Emperor replaced the feudal military regime established by Tokugawa Ieyasu in 1603.

This happened because growing internal unrest in the middle 1800's convinced the shogun that return of power to the Emperor was called for. During the Meiji period, with the collapse of the feudal system, Japan started to open up to western culture and customs.

The increased immigration of westerners into Japan during the Meiji period caused Jiu-Jitsu masters, who were very secretive with regard to their techniques, to worry about the possibility of westerners, generally bigger and stronger than the Japanese, learning Jiu-Jitsu.

As they felt that it would be virtually impossible to hide the Jiu-Jitsu techniques from Westerners, the Japanese decided to break Jiu-Jitsu down into several styles with limited effectiveness in a real fight.

The arts of Karate, Judo and Aikido were developed from Jiu-Jitsu. These styles were transformed into sports in order to keep secret the most lethal and street effective techniques.

MITSUYO MAEDA - "CONDE KOMA"

In 1914, a Japanese Jiu-Jitsu and Judo master named Mitsuyo Maeda, (AKA Count Koma) stopped in Brazil during his World Judo tour. Maeda decided to prolong his stay and help a Japanese colony settle in the North of Brazil.

A Brazilian diplomat named Gastão Gracie helped the colony with land and cattle. In return Koma, went against the Japanese tradition and volunteered to teach real Jiu-Jitsu to a non-Japanese, Gastão's son Carlos.

THE BIRTH OF GRACIE JIU-JITSU
Carlos, who was the oldest of five brothers, became so fascinated with Maeda’s techniques that in 1925 he opened the first Gracie Jiu-Jitsu Academy in Rio de Janeiro, Brazil.

Helio, Carlos’ youngest brother, was physically frail and would constantly faint when doing any type of physical activity. The family doctor advised him to avoid any kind of exercise. Consequently, Helio would sit on the side of the mat watching Carlos teach classes. He did that for a couple of years.

One day, when he was 16 years old, a student showed up for class, but Carlos was not around and Helio said, “My brother is not here, but if you want, I can go through the techniques with you. I’ve been watching my brother for so long that I memorized all the moves.”

Helio went through the moves with the student. He was so excited and enthusiastic about pleasing the student that when Carlos arrived and apologized for being late the student said, “I’ve had a class with your brother and if you don’t mind from now on I’ll continue taking classes with him.”

From that day on Helio became an instructor and soon after he was teaching the vast majority of the classes while Carlos became more involved with the development of the Gracie Diet and managing the fighting careers of his brothers.

In spite of his small frame and weight of only 140 pounds, Hélio became the mastermind behind the development of Gracie Jiu-Jitsu, adapting the techniques of Japanese Jiu-Jitsu so that they depended entirely upon leverage, rather than strength and explosiveness. He was driven by a constant determination to find effective ways to deal with every possible aspect of a real fight.

Daring to break away from the traditional Japanese style, he began experimenting, modifying and perfecting simple techniques that would be effective regardless of stature.

That is how he developed this style of Jiu-Jitsu. Though Gracie Jiu-Jitsu descended from the ancient Japanese style, the differences are quite apparent. Many of the Japanese facets of the art, which depend on physical prowess and stiff motion, were tossed aside, leaving only pure technique.

Carlos Gracie, who was interested in streetfighting and was also a boxer, quickly modified the classical techniques he learned from Count Koma to meet the demands of real, "no rules" fighting in the streets of Brazil. The young Carlos Gracie then tested and refined his system through constant matches, open to all comers, constantly working to make it more effective. At one point, he even advertised in newspapers and on street corners for new opponents upon whom to practice and further refine his art. He fought anyone and everyone who was willing, regardless of size, weight or fighting style. Even though he was a mere 135 pounds, his style was so effective that Carlos Gracie was never defeated and became a legend in Brazil.

This tradition of open challenge is a part of the heritage of the Gracie style of Jiu-Jitsu. Carlos Gracie taught his style of Jiu-Jitsu to his four younger brothers (Oswaldo, Gastão, Jorge, and finally Helio) and to his older sons (including Carlson and Carley), and they in turn taught their brothers, sons, nephews and cousins.

After Carlos retired from the ring, he managed the fight careers of his brothers and sons, continuing to challenge fighters of all styles throughout the world. This tradition of open challenge has been continued by his sons, grandsons, brothers, nephews, and students, who have consistently demonstrated the superiority of the Gracie style in real fights and minimum-rule matches in rings throughout the world.

Carlos Gracie had 21 children and his youngest brother Helio had 7 sons, creating a virtual dynasty of Gracie fighters and instructors who dominate the world of "no rules" fight contests today. In these events, Gracie representatives have consistently demonstrated, in open competition against title holders from other martial arts styles, that the Gracie style of Jiu-Jitsu is the most effective fighting art in the world today. No small wonder that the Gracie style of Jiu-Jitsu is the "hottest" item in martial arts today.

Helio Gracie at the age of 17, Hélio Gracie stepped into the ring for the first time in Rio de Janeiro against a professional boxer named Antonio Portugal.

Hélio won this match via arm lock in approximately 30 seconds. This fight was the first of many victories that Hélio would have against opponents from around the world.

Under the guidance of his brother Carlos, Helio went on to become a national hero in Brazil. Some of his astonishing feats include the longest fight in history: a three hours and forty-five minutes non-stop brawl with no rounds; and his fight against World Wrestling Champion Wladek Zybskus, who weighed 280 lbs.

In addition, Hélio was the first westerner to dominate a Japanese Jiu-Jitsu master in a Jiu-Jitsu match: Namiki in 1932.

This was the first jiu-jitsu battle of his career and also the first time he wore a Kimono during a combat fight. Hélio ended the fight mounted on Namiki.

Another amazing performance by Hélio was his brilliant fight against Kato, World Jiu-Jitsu lightweight champion. The fight ended in a draw and Hélio asked for a rematch. The second match, held at Ibirapuera Arena in São Paulo, was a very technical fight.

Hélio defeated Kato with a chokehold from the guard position. His victory brought glory to Brazil and international recognition to Gracie Jiu-Jitsu.

Upon defeating Kato, a challenge match was set between Hélio and the world open weight champion, Masahiko Kimura, probably the best fighter that Japan has ever produced.

This historical match took place in 1951 and was held at Maracanã Stadium, which seats 200,000 people. Hélio was 42 years old and weighed 140 lbs. while Kimura was 34 years old and weighed 195 lbs.

Kimura boldly stated that if Helio could last more than 3 minutes, he should consider himself the winner. Helio fought Kimura for 15 minutes before being caught in an arm lock. Fearful of having his brother's arm shattered, Carlos threw in the towel.

Tremendously impressed with Hélio’s technique, the Japanese masters invited Helio to come to Japan and teach. Respectfully, Helio declined.

Helio also challenged boxing greats Primo Carnera and Ezzard Charles, and world champion Joe Louis, to matches to compare styles.They all declined. Throughout his career, Hélio defeated fighters from several different styles in order to prove the superiority of Jiu-Jitsu as a martial art.

An example of courage and determination, Helio became a national hero in Brazil. After a lifetime of combat, today at 88, he still teaches the art and has the same determination to live jiu-jitsu as his lifestyle. He is recognized world wide as the father of Gracie Jiu-Jitsu.

Later the Gracie family moved to downtown Rio (Centro) and constructed a very big academy at Avenida Rio Branco 151, 17th and 18th floor, and from then on the Gracies always disputed "Vale Tudos" (no rules fighting) having a victorious career. In 1991, the Gracie academy moved again, into the Vasco da Gamma Club, in Lagoa, and in 1985 moved to the Padre Antonio Vieira School where it remains until present.

"The Jiu-Jitsu that I created, was to give chances for weaker people to defend themselves from stronger people. This martial art became of such success that a Jiu-Jitsu for competition was created.

I would like to make clear the I am in favor of practicing sports, as well as studying martial art techniques, in any style, as well as a good nutrition, sexual control and abstaining habits that may harm ones health. The problem is the creation of a Jiu-Jitsu style for competition with rules and inadequate bout times which favors the more trained, stonger and heavier practitioners.

The goal of Jiu-Jitsu , is mainly, to benefit the weaker. My Jiu-Jitsu is an art of atodefense that does not accept certain rules and determined timing in bouts. These are the reasons for which I can't, with my presence, promote events, which results in a anti Jiu-Jitsu." - Helio Gracie

Royce Gracie, Helio's son. When the first Ultimate Fighting Championship was broadcast live on pay-per-view in 1993, the world watched in awe as twelve world-class martial arts champions battled it out in bare-knuckle, anything-goes matches. Amid this group of heavyweight bruisers stood a slender Brazilian named Royce Gracie. He said he was entering to prove the effectiveness of Jiu-Jitsu. Despite his quiet confidence, few gave him much of a chance. After all, at 176 pounds, he looked like a reed standing among oak trees. Ring-side betters were giving five to one odds that Gracie would go down by KO in less than three minutes.

They were wrong.

Like a hot knife through butter, the Brazilian with the boyish good looks and the surfer's physique cut down opponent after opponent to capture the title of Ultimate Fighting Champion. The martial arts world went berserk! How could this kid - often fighting at a weight disadvantage of 50 pounds or more (as impossible as the idea of Sugar Ray Leonard trying to box Mike Tyson!) - how could he destroy some of the world's biggest and best fighters?

Convinced it was some unexplainable fluke, the fans tuned in by the thousands to see Gracie defend his title at the UFC II. This time, there were sixteen competitors. This time, Royce Gracie would face a number of opponents who out-weighed him by 100 pounds! This time, things would be different. This time, Gracie would go down.

They were wrong. Again.

The young Gracie folded the competition up like fresh laundry. In match after match, he forced them to submit. He had his UFC II opponents tapping like typewriters. If the martial arts and fight fans were stunned before, they were apoplectic now! Here was a martial artist who could actually do what all martial artists were supposed to be able to do: Here was a smaller, weaker man who could beat a larger, stronger foe. And beat him like a drum! When asked to account for his phenomenal performance, Royce Gracie always gave the same reply. "It's not me," he would say in his musical Portuguese accent. "It's the techniques of Jiu-Jitsu."

Before stepping down from the Ultimate Fighting Championship to marry his fiance in July of 1995, Royce would win three individual UFC titles and become a household name among fight fans the world over, Black Belt magazine would name him the "1994 Competitor of the Year" and he would find himself the focus of the greatest martial arts media feeding frenzy since the late Bruce Lee.

Despite his meteoric rise to stardom, Royce remains unchanged. Devoted to his family and his students, he still spends countless hours teaching his beloved Jiu-Jitsu at the Gracie Academy and in sold-out seminars. He's still the playful, laughing Royce to those who know him.

"What we do, works," smiles Royce. "I'm proud of that. I want to share it with anyone who wants to learn."